Ever heard orchestral music performed entirely by robots? Neither had I until I listened to this album from Italian composer Leonardo Barbadoro. Named after its ensemble of robotic performers, Musica Automata, which are controlled remotely by Barbadoro, …

The debut album from this London-based Austrian-Brazilian artist is a real scuzzy joy. Her songs – throbbing with delicious melodies – are fuzzed up in all the right places and collide in that happy place where low-slung indie nous slaps together with alt…

X-Ray Spex will always have a place in punk history because of their blazing 1978 debut album ‘Germfree Adolescents’. The follow-up to that album didn’t arrive until 1995, and it slipped down the back of the settee somewhat. It’s now getting released on v…

Alison Garner’s vocals are as dreamy as ever on this, the first release from The Fauns in around a decade. The Bristol band formed in 2007 and soon found favour among shoegaze aficionados who snapped up their self-released debut album and subsequent follo…

Based in Newcastle, this extravagantly gifted musician straddles genres with ease and ropes in all manner of influences to inform his idiosyncratic sound. His second full-length album is a skew-whiff delight that takes in quirky-bedroom pop that teeters i…

Steve Luck is a classical, award-winning pianist from Newcastle, and his latest album is a pure joy. It features 12 tracks – only one of them over three-minutes in length – that capture a range of fleeting moods from the breezy uplift of ‘Smile’ to ‘Night…

This debut from Laura Misch does exactly what its title suggests, allowing us to sample the natural world through an enchanting sonic journey that captures London’s wild edgelands. Light, airy and ethereal, Laura’s gentle vocals combine with wind-inspired…

Cult horror film ‘The Wicker Man’ celebrates its 50th anniversary this month, and one of the most striking elements of the film is its folky soundtrack, so as both a film and music buff I was very excited for this one. Katy J Pearson does a fantastic job …

Over the years dozens of bandmates have swirled around Ashington’s g.w. lang under the St James Infirmary banner, and his latest release features contributions from Richard Dawson, Nev Clay and Cath & Phil Tyler. And the results are fantastic. From Lankum…

This bunch (and they are a bunch – not just Smoove & Turrell) are often held up as one of the most feted bands in the region and with good reason. They play funk that positively sizzles, and on their latest they’re really cutting loose with a sterling col…

Troye Sivan’s first album in five years starts strong with ‘The Rush’, a sensual, high-energy dance anthem. I also loved the exploration of queer romance and sexuality, which is encapsulated beautifully on its cover. However, the majority of the album jus…

I’m a little late to the Holly Humberstone craze - this was in fact my introduction to her music, and it has actually ended up being one of my favourite albums of the year. She has an incredible lyrical talent, creating evocative scenarios filled with rel…

I’m a big fan of Doja Cat, so when she announced she was switching up her sound - even going as far as saying that her past albums were “cash grabs” - I was a little worried. However, I now actually see her point. Scarlet moves away from the palatable pop…

San Francisco Bay Area songwriter (and trumpeter) Anna Hillburg has a super voice – unflashy and never stretching for those high notes – but it’s eminently listenable, and her latest album features the kind of widescreen-alt-country-and-western pop that k…

The third album from Art Freynman (aka US visual artist and producer Luke Temple) was recorded live in-studio with a full band, which certainly helps capture the lightening-in-a-bottle feel that this release throbs with. He’s a fella dealing in itchy art-…

The debut album from Southern California’s Zooey Celeste brings together the kind of elements I can really get behind: bedroom astral goth, spindly Americana, hypnotic synth pop – and much more besides. It’s underpinned by sparse drum-machines and droney …

Maple Glider is the adopted professional moniker of Tori Zietsch, a singer-songwriter from Australia who was “raised from birth in quite a restrictive religious household.” This – her second album – continues her exploration into her Christian childhood w…

This Irish artist can take you to some very otherworldly places and her latest (her third album) features nine tracks of monumentally resonant dirges that encompass choirs (cellar deep in the mix), elongated strings and field recordings. It’s slow and beg…

Anywhere were a north-east band who garnered a bit of record label interest in the mid-90s, but nothing eventually came of it. The band split, but the members got back together in 2018 to jam and then reform under a new moniker: Anywhere But Now. And I’m …

15 albums down and Kylie Minogue is still supplying us with bangers, with her first single release from Tension - ‘Padam Padam’ - completely blowing up this summer. The rest of the album keeps the energy high, full of vibrant, sensual floorfillers that se…

As its title suggests, this second EP from London’s Slaney Bay explores the symbiotic relationship between love and loss. With a sound that simultaneously has a hint of 90s and 2000s pop punk, yet also feels like a fresh approach to indie, ‘Why Does Love …

A few months ago ‘Requiem For A Fading World’ was a real highlight of Sage Gateshead’s summer season. A narrative work – set in a post-apocalyptic world – it followed two solo singers (a Mother and her Daughter) as they sought separate paths to greener pa…

The Misty’s describe themselves as “the soundtrack to a longed for kiss” - indeed, their song ‘Bite Marks’ was the soundtrack of Killing Eve’s first kissing scene - which intrigued me to listen to this new release of theirs. They have created a very disti…

When Royal Blood first emerged onto the scene in 2014, I remember being taken aback by how a duo could make as much wonderful noise as a full rock band. They always kept things pretty simple, so when 2021’s ‘Typhoons’ arrived with a host of guest producer…

It’s been four years since Hozier’s last album, so ‘Unreal Unearth’ has been much anticipated. I was disappointed to find out he’s only a sole lyricist on just 2/16 songs, but if you like Hozier’s music you’ll probably like ‘Unreal Unearth’. His vocals, h…

Steve Jinski was born in Liverpool but has made his home in the north-east since his late teens, and he’s become a popular fixture on the circuit by dint of his powerful songwriting abilities. He’s on stellar form on his latest album, which manages to hit…

The second album from this Oakland-based songwriter, classically trained vocalist and virtuoso guitarist, exudes just as much mood as their debut ‘Hayaline’, which came out last year. ‘Hayaline’ explored grief and anxiety, but here they’re digging deep in…

The debut album from this London-based multidiscipline artist sees her really spreading her wings. She’d previously wowed with her bedroom-pop EPs, but here she’s conjured up a suite of songs that feel more expansive while still retaining that sense of in…

This Teesside duo do a very nice line in soul sounds and their latest album is an absolute joy – particularly if you enjoy yacht rocking tunes that have been polished until they gleam. Their blue-eyed soul sounds good whether it’s getting a wiggle on (the…

Since I’m new to Ashnikko’s music, I went into this debut album completely blind, and wow - what a whirlwind of a listen. ‘WEEDKILLER’ is whacky in all the best ways, but despite being wrapped up in lots of fun sounds and violent lyrics, it actually addre…

Fresh artist Nieve Ella has released her second EP, and she’s continuing to prove why she’s one of the most exciting new faces on the indie scene. Her songs have an anthemic quality, with addictive melodies, heavy percussion and guitar riffs that feel ver…

This Leeds collective make absolutely gorgeous alt-R&B and nu-soul that has been veined with gold. The tracks on their debut album feel like they’ve been unearthed from some deep vault that contains nothing but previously unreleased classics. The vibe is …

The talented trio of Grace Smith (fiddle/viola), Sam Partridge (concertina, electric guitar) and Bevan Morris (double bass) met on the Newcastle University Folk Degree course and have spent the last ten years playing with a number of prestigious folk band…

This fourth album from Jungle - the project of London producer duo, Josh Lloyd-Watson and Tom McFarland - is a feast for your ears. With 14 songs of pure, feel good music, Volcano sprawls across a range of genres - from 70s funk, to soul, to disco. The vi…

‘Somewhere To Fall Asleep’ should perhaps be renamed ‘Something To Fall Asleep To’ - and that is in no way an insult. There is an undeniably sleepy, dreamy quality to the music of tinyumbrellas - alias of 20-year-old Leeds based, Norfolk born musician DT.…

This album has arrived as an extension of February’s MAÑANA SERÁ BONITO. With 10 new tracks for us to enjoy, this new release is filled with reggaeton beats combined with Latin American flavour and rich melodic arrangements. Coming in at just 30 minutes l…

Born in the San Francisco Bay area, with spells in Oregon and North Carolina (and the Basque country), Margo Cilker’s open road tales of perfectly crafted Americana hit a real sweet spot with 2021’s critically acclaimed ‘Pohorylle’ album. Her latest sees …

When Public Service Broadcasting first arrived on BBC 6 Music playlists, back in 2009, I thought they might have been a flash-in-the-pan novelty act (especially when I learned that the two founding members called themselves J. Willgoose Esq. and Wrigglesw…

La Force? Isn’t that the mesmerising solo project of Ariel Engle – a woman who has spent more than a decade as one of Canada’s most sought-after musical collaborators? Yes, indeed. And her new album is a real treasure trove of delights, taking in everythi…

These sisters – Clementine and Valentine Nixon – have the perfect names for a duo that feel as though they have swirled up from some misty clearing in order to bring us music that sounds timeless. Raised in both New Zealand and Hong Kong, they originally …

Canada’s Christina Martin is seven albums deep into her career and she just keeps getting better and better. Her latest release straddles the worlds of radio-friendly pop, country and Americana-dunked folk, but she also gives her songs a real sense of dra…

This Teesside lad is one of the most accomplished singer/songwriters in the north-east and his new album is packed with spine-tingling indie-pop songs that have largely been inspired by his Teesside roots. The vibe is smooth and chilled, which perfectly s…

Blur fans have been waiting eight years for this latest album, and if you go in expecting the likes of ‘Song 2’ and ‘Parklife’, you’ll end up disappointed. However, ‘The Ballad of Darren’ is not without its unique charm. Emotive lyrics, melancholy melodie…

This third album from British pop icon Anne Marie is summed up well by its playful cover - which she achieved by simply pressing her face up against her own shower screen and taking a pic, by the way. It’s bold, catchy and full of memorable anthems with f…

The new solo album from Field Music’s Peter Brewis is – apart from one track – an instrumental release that turns 1980s-style electronica into something rather wonderful. But this is not 1980s chart music stuff. It’s more test card exotica (think: the dee…

Pop favourite Tom Grennan has returned with a third album, and you may have already heard singles such as ‘Remind Me’, ‘All These Nights’ and ‘Lionheart’. ‘What Ifs & Maybe’ contains another batch of catchy anthems, but there are also a number of ballads …

This debut from East London’s Olivia Dean combines soulful vocals and vintage influences from Motown and the 60s with modern pop to create a culturally rich sound that remains consistent throughout the album. With creative lyrics that touch on intriguing …

‘Dead Club City’ is an ambitious fourth LP that packs a punch. A concept album based around a members-only city, it is full of thunderous percussion, bold guitar riffs and frontman Conor Mason’s powerful vocals. Though markedly a rock album, ‘Dead Club Ci…

The second album from Art School Girlfriend (aka Polly Mackey) is a real delight. It retains all the melodic charm of her debut album, ‘Is It Light Where You Are?’, but this time she’s pushed those warm and tactile electronic buttons a little more. She de…

Slow Town Clock is Jamie Leven. He was born in Glasgow but now resides in northern England (this, his debut album, was recorded in Newcastle). He wrote all the songs for this release on the islands that make up the Outer Hebrides and the atmosphere of tho…

Julia Steiner – Ratboys singer and lyricist – reflects on all the biggies on Ratboys’ new album (love, grief etc.) but she does so with bags of wit. This is the Chicago band’s fourth long-player and it sees them skittering across all manner of genres taki…

Durham’s SERRUM reckon their stuff is like “micro movies playing behind the eyelids.” I’m not arguing. Their latest EP – which features six tracks of envelope pushing goodness – showcases Eno-like ambience (‘Isolari’), spaghetti western guitars and drones…

Georgia’s ‘Seeking Thrills’ album was one of my favourite releases of 2020, chock-a-block, as it was, with house-dunked bangers. This – her third album – is another release fizzing with energy. It still sees her shaking a tail-feather in the direction of …

Sunderland’s Shannon Pearl is one of the most interesting and exciting artists working in the north-east. She deftly weaves together folk rock, ethereal electronica and soaring, heart-in-the-mouth vocals in a way that is utterly spellbinding (probably an …