This album is strangely chilled out for a 1975 album, and while it’s interesting to hear a different sound, it just doesn’t stand out enough to match the power of their previous releases. The lyrics are preoccupied with romance - a stark contrast to the p…
Manchester’s Pip Millett has been building a steady following and her much anticipated debut album delivers a huge dollop of good vibes – particularly if you like your R&B to be as slinky as silk. This is real throttle-back stuff, but Millett breathes lif…
This review is technically 45 years late, as ‘Natureza’ was recorded back in 1977. However, this album from Brazilian feminist icon, Joyce Moreno, is only just seeing the light of day, and it is an injustice that we have been starved of its delicious soun…
The title ‘Garageband Superstar’ hit a bit close to home for me; my 15 year old self desperately tried to create the next hit via Garageband, and yet here I am, writing about other people’s music. However, I will humbly let Lauran Hibberd have this victor…
If you grew up in the noughties like I did, the title of Ari Lennox’s new album may just take you back to a dodgy chat room where “ASL?” was the go-to greeting. This isn’t the only nostalgia the release brings. ‘age/sex/location’ has the smooth, sultry so…
Angsty lyrics, powerful vocals and jangly guitar melodies dominate the new release from NYC’s MAYA LUCIA. Sprawling across genres ranging from garage to pop to indie to punk, the singer-songwriter’s rich pool of influences and refusal to be pigeon-holed s…
This is the second album from this bunch of London rabble-rousers whose full-throated folky punk will be manna from heaven for fans of The Pogues. It’s a concept album of sorts, with each song intending to provide a snapshot of life on the British Isles. …
After the heartbreak heavy ‘Old Flowers’ the Arizona alt-country star Courtney Marie Andrews returns with an album that sees her turning her face to the sun. This is a decidedly more upbeat affair and filled with a renewed sense of romance and freedom. Fe…
North London’s Sorry crashed a few Best Albums of the Year lists in 2020 with the release of their debut album ‘925’ – a playful mix of indie, jazz, pop and sass. They claim that for this release they’re paying homage to classic songwriters of the 1970s, …
Phil Tyler & Sarah Hill are a popular duo on the local folk scene and their new album is just another example of why they’re so loved. They deliver music that feels steeped in tradition, with minimal instrumentation (guitar, banjo and ukulele are variousl…
Michael Baines is a stalwart of the Teesside music scene – having been a musician, sound engineer, gig promoter and more – and WOOLCRAFT is his solo project of which ‘Y.Y.U.Y.B’ is his seventh release. He likes to operate in those little gaps that exist b…
Jo Bartlett – who was part of the C86 scene and ran the Buzz Club in Aldershot – has an excellent blog, Indie Through The Looking Glass, in which she write about, well, all things indie. This album features old interviews/band rehearsals with the likes of…
I happened to be on a treadmill of all places when I listened to Hot Chip’s eighth album. Very few songs are able to get me through my cardio slog, but opening track ‘Down’ is so ridiculously addictive and funky that I actually rather enjoyed my run for a…
Winnipeg’s Living Hour are now three albums deep into their career, and this third release is a haze of laidback and woozy sounds that make space for contemplative, emotional lyrics. There’s a delightful softness about this album, and it’s easy to get los…
I always find it heartening that The Unthanks have risen to such national prominence, despite the fact they sing about starving bairns who live in coal sheds and can only find warmth by wrapping themselves in the shredded rags they steal from corpses hang…
Megan Thee Stallion is without a doubt one of the most exciting rap artists of the modern scene, and in ‘Traumazine’ she is on top form, spitting the kind of lyrics that have made her such an empowering (and, inevitably, divisive) figure. She is ferocious…
The fourth album from Bay Area’s Sarah Bethe Nelson delivers a fresh new batch of laid back indie tracks with witty lyrics and a sound she has become synonymous with. It has the introspection that one would expect from an album recorded in a living room d…
‘Renaissance’ is quite a juxtaposition of a title, as this long-awaited album feels more like a culmination of the new Beyonce introduced by 2016’s ‘Lemonade’, rather than a revival of her past as the queen of the pop ballad. In fact, there’s not a single…
This is the third album from this New Zealand quartet, with Elizabeth Stokes once again mining her own life for tales which are autobiographical but also a basis for character sketches touching on family, love and friendship. Musically, the band are still…
In her first solo album SRSQ (aka Kennedy Ashlyn) navigated the grief caused by the death of her Them Are Us Too partner. For the follow up – and in wake of an ADHD and bipolar diagnosis – she’s searching, and finding, redemption through some incredibly s…
Kramies is a US singer/songwriter who has found much favour among the alt-Americana, indie-folk, lilting-space-rock crowd and his latest sees him weaving together hazy memories and half-remembered stories for an album of rare beauty. If you’re a fan of Gr…
A lot of the talk about this sixth Kasabian album is debating whether or not former frontman Tom Meighan is missed. To address that elephant in the room: he did something really shit, so no he is not. Back to the task at hand, ‘The Alchemist’s Euphoria’ h…
This is Beth Orton’s first album in six years and, pleased to report, it’s replete with the kind of soul-baring, and soul-lifting, songs we’ve come to expect from her. It was written, apparently, on an old battered piano she saved from Camden Market. I do…
Local outfit The False Poets are purveyors of all things freakbeat and they’re celebrating their tenth anniversary with their third album (and first compilation), which pulls together some of their finest cuts. Tracks such as ‘Did It Feel Real?’ drip with…
Featuring Brian Wahlstrom (Gods of Mount Olympus) and Zach Quinn (PEARS) this San Diego outfit have caught the ear of many a taste-maker with their ‘yacht punk’ sound – which is basically up-and-at-‘em alt-rock given a seventies and eighties gloss. It wor…
Unwanted (Dirty Hit) I was previously of the opinion that once you’ve heard one Pale Waves song, you’ve heard them all, but this third album from the Manchester band offers something a little more intriguing. It expands on the pop punk territory that was…
Born in Kenya, raised in Switzerland, Canada and the Bahamas, Nuela Charles has been compared to everyone from Etta James to Amy Winehouse to Adele, but, in truth, she’s very much her own thing. Her latest album is rich with anthemic soul songs that luxur…
This new album from MUNA is filled with a free, feel good sound. It’s so refreshing to not only see a queer, female/ non-binary band putting themselves on the map (they have quite the fan base), but also writing songs that actively encourage other queer…
Swedish post-punk band Viagra boys are no stranger to lifting the lid on the grim reality of the world we live in through their witty lyrics and funky beats, but this third album goes one step further to encapsulate modern hysteria in a genius, if-you-do…
The second EP from Isle of Wight newcomers, As We Leave, offers a fresh take on indie psych-pop that fans of Tame Impala and Blur will take very well to. Their hazy, dreamy sound, made up of gentle vocals, jangling melodies, laid back percussion and just…
We’ve been waiting for this album for 8 years, and it’s fair to say that it was worth the wait. This 16 track, 72 minute record sprawls across a range of genres and sounds, telling us that Nutini has shaken off the shackles of his commercial success and i…
Lindsay Clark’s unique blend of traditional and modern folk shines in ‘Carpe Noctem’. It sounds like a sunny day; warm, mellow and relaxed. The focus is very much on Clark’s vocals, which effortlessly create a sense of intimacy as she eloquently expresse…
Formed in 2017, Floral Detectives are a Darlington four-piece who number a former guitarist and bassist of The Damned among their ranks. And he can certainly dish out those incendiary riffs as evidenced here on this mini album, which features seven track…
Tyneside’s Pit Pony haven’t been around too long but they’ve already caught the ear of the likes of Mary Anne Hobbs and Steve Lamacq and with little wonder. The five-piece – fronted with steely aplomb by Jackie Purver on vocals – knock out abrasive indie…
Moor Mother (aka songwriter, composer, vocalist, poet and educator Camae Ayewa) spent years organising and performing in the Philadelphia underground before moving to LA. She released her debut album in 2016 and has since made a name for herself among th…
London indie-poppers Superorganism were a breath of fresh air when they surfaced in 2018 with their self-titled debut album, which was a delirious mix of the psychedelic and the funky. And they’ve ramped things up nicely for their second long-player, whic…
Kathryn Williams first started causing people to sit up and take notice back in the late 90s and early 00s with albums such as ‘Dog Leap Stairs’ and ‘Little Black Numbers’ (which garnered her a Mercury nomination). Since then she’s built up an incredible…
International sensation, Post Malone, has doubled his power by assembling a sort of Avengers team of huge collaborators on this fourth album: Doja Cat, The Weeknd and The Kid LAROI all lend their talents. Fans of the artist’s trademark quivering vocals an…
You’ll likely recognise Vance Joy from his hugely popular 2014 hit ‘Riptide’, which is still constantly played on the radio. Keeping with the largely acoustic instrumentation he is known for, the raw sound of ‘In Our Own Sweet Time’ matches Joy’s vulnerab…
You know it’s summer when George Ezra starts releasing new tunes - ‘Shotgun’ came to define the summer of 2018. This third album from the blockbuster artist boasts the kind of feel-good earworms that you’d expect, with ‘Green Green Grass’ already creeping…
For a band whose first release was only back in 2019, Kamikaze Nurse make quite the impact with this sophomore album. Fiery in some places, like title track ‘Stimuloso’, yet breezy in others, such as gentle, poetic closer ‘ubobo’, Kamikaze Nurse coordinat…
Working Men’s Club are one of the more interesting indie bands to emerge over the last couple of years, certainly if you like your indie to be informed by electronic beats. On their second album they wield those beats once again and do so with a scuzzy ha…
The London-based punky trio of Holly (guitar/vocals), Lauren (bass) and Lucie (drums) do a very nice line in gritty garage rock and their debut album is full of the kind of spiky stuff you can really hang your hat on. They tackle issues such as mental hea…
Manchester’s Mica Millar could be the new soul star that the UK has been looking for, especially if enough people get to hear her debut album, which is chockfull of good stuff, from the gospel stomp of ‘Preacher Man’ to the slinked up ‘More Than You Give …
This Newcastle lad deals in bangers, specifically bangers of the electro/pop/dance variety. His new album is overflowing with rump-shaking disco house that’ll have you gravitating towards the dancefloor from the first beats. What’s more, it’s all complime…
Born in Kentucky and raised in a musical family, Kimberly Morgan York first started singing in church at the tender age of three. It was a pretty safe bet that she would move into music and she’s certainly done that with much success. She’s a country arti…
The feted Welsh singer/songwriter and electronic producer returns with her third album, which was written in St. Ives and is sung almost entirely in Cornish. It concerns – it says here, I don’t speak Cornish – the journey of rediscovering oneself after th…
Sunderland’s Labyrinthine Oceans will not be bound by genre (or lyrical concerns – their new album references everything from Nintendo soundtracks to classic court dances…). It all kicks off with ‘Below’, a gorgeously ethereal track that weaves magical pa…
This solo debut from Chelsea Rose, former front woman of Summer Twins, is an introspective delight. Tinged with the sound of 60s pop, the LA artist cuts deep into matters of the heart with eloquent lyrics that capture both the euphoria of love and the pai…
For their third album, Fontaines D.C. step outside of their post-punk box with their most adventurous sound yet. Opening with the haunting harmonies of ‘In ár gCroíthe’ - an Irish-Gaelic phrase meaning “in our hearts forever”, which the Church of England …
‘Time~Lapse Nature’ is the perfect title for this third album from Diatom Deli. The album is peppered with evocative samples from nature, serving as background noise to lyrics that narrate a passing of time measured by fluctuating emotions and changing re…
Washington DC’s Flasher became a name to drop in 2018 with their very fine debut album ‘Constant Image’, which was a new wavey, post-punky, thing of joy. They’ve now slimmed down to a two-piece (guitarist Taylor Mulitz and drummer Emma Baker – both on voc…
Crosstown Rebels released the first in their ‘Spirits’ collection back in 2017 and this annual showcase is well worth a listen if you’re hankering after underground and future club hits. Their latest compilation kicks things off in fine style with NYC’s L…
Rosie Carney is the Irish musician/singer who gained a certain amount of traction when she released an album featuring covers of all the tracks on Radiohead’s ‘The Bends’. But with her new release, she proves she’s a superb tunesmith in her own right with…
Sign Up To Little Crack