Film Editorial
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Transit
German writer-director Petzold’s adaptation of Anna Seghers’ 1942 wartime novel transposes the story to a modern day setting but, audaciously, the plot details remains broadly...
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Opus Zero
The directorial debut from Daniel Graham is a frustratingly elusive meditation on music and absence. Dafoe is Paul, a composer who has travelled to a small Mexican village whe...
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Leto
Completed by Russian director Serebrennikov while under house arrest, this striking and singular picture, about the rivalry between rival musicians in the early 80s Leningrad ...
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Hail Satan?
Director Penny Lane’s irreverent & thought-provoking film profiles the burgeoning Satanist Temple movement in the USA. Headed by the sinister-looking but wry and erudite Lucie...
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Apollo 11
Released to coincide with the 50thanniversary of the Moon landing, this stirring documentary broadly eschews chronicling the socio-political backdrop of the mission, or profil...
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Tell It to the Bees
Adapted from the novel by actor Fiona Shaw this over-earnest middlebrow romance feels more suited to cosy Sunday night TV viewing than the big screen. Paquin, revisiting the l...
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Gwen
Set in Snowdonia during the Industrial Revolution, writer-director McGregor’s feature debut is a social realist period drama with a supernatural undertow. Worthington-Cox is t...
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Vita and Virginia
This adaptation of actor-screenwriter Eileen Atkins’ 1992 play from UK writer-director Chanya Button charts the passionate relationship between aristocrat and poet Vita Sackvi...
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Marianne & Leonard: Words of Love
His previous music-related pictures, ‘Kurt and Courtney’ and ‘Whitney Can I Be Me’ have seen documentarian Nick Broomfield displaying little interest in the actual music, conc...
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Only You
This Glasgow-set relationship drama begins like a mainstream romance, albeit one with tastefully autumnal-hued trappings, then seems to be gearing up for a psychological thril...
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Gloria Bell
Chilean writer-director Leila continues to impress with this very faithful, but nonetheless essential remake of his own 2013 picture ‘Gloria’. Julianne Moore is the titular ch...
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Support the Girls
The Hooters bar-style setting and innuendo-laden title of erstwhile mumblecore auteur Andrew Bujalski’s latest belies a sympathetic and big-hearted study of workers in the wor...
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In Fabric
Genre-bending director Peter Strickland's consumer satire meets comic horror feels like a Giallo picture reimagined as a disturbing early 80s UK sitcom. Sheila (Jean-Baptiste)...
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