Film Editorial
-
In Fabric
Genre-bending director Peter Strickland's consumer satire meets comic horror feels like a Giallo picture reimagined as a disturbing early 80s UK sitcom. Sheila (Jean-Baptiste)...
-
Sunset
Set in 1913 on the eve of WW1 in the closing days of the Austro-Hungarian Empire, Laszlo Nemes’ follow-up to his debut feature masterpiece ‘Son of Saul’ is a wilfully oblique ...
-
We the Animals
The influence of Terrence Malick and David Gordon Green’s ‘George Washington’ hang very heavily over the debut fiction feature from US Documentary filmmaker Zagar, a coming-of...
-
Amazing Grace
In 1972 queen of soul Aretha Franklin, at the height of her commercial success, went back to her roots to record the gospel album ‘Amazing Grace’ over two nights at LA’s New T...
-
Long Shot
This passable-ish romantic comedy is a slightly unwieldy combination of Apatow-era raunch, Capraesque fable, and 90s high concept swooners like ‘Dave’ and ‘Pretty Woman’. Roge...
-
Vox Lux
Actor turned director Brady Corbet’s audacious but flawed second picture is a pop fable that feels like a mutant riff on ‘A Star is Born’. A chilling 1999-set opening depicts ...
-
High Life
Septuagenarian French writer-director Denis’ English language debut picture is a singularly strange but visually drab, and muddled, science fiction picture, its philosophical ...
-
Birds of Passage
Co-helmed by his partner Christina Gallego, Ciro Guerra’s follow-up to the striking, hallucinatory debut ‘Embrace of the Serpent’ chronicles the nascent Columbian drugs trade ...
-
Woman at War
Writer-director Erlingsson’s follow-up to the striking ‘Of Horses and Men’ is an appealing mix of heartfelt protest picture, deadpan mildly surreal humanism a lafellow Iceland...
-
Happy as Lazzaro
Italian writer-director Alice Rohrwacher’s third picture is a bewitching surrealist fable. The first half takes place in Inviolata, a small rural village that serves the neigh...
-
Mid90s
The feature directorial debut from actor Johah Hill is an appealingly heartfelt but unsentimental study of growing up in LA in the titular period. Suljic is Stevie, a thirteen...
-
3 Faces
Despite the twenty-year ban on filmmaking from the Iranian authorities, writer-director Jafar Panahi remains, thankfully, pretty prolific. His follow-up to 2015’s ‘Taxi Tehran...
-
Red Joan
Adapted from Jennie Rooney’s 2014 novel, which was in turn inspired by the fascinating true story of ‘granny spy’ Melita Norwood, this lacklustre picture squanders a promising...
Sign Up to Little Crack
Thanks!
You're now signed up
Close