It’s not just black and white
Directed by Anthony Almeida, this co-production—brought to life by Northern Stage alongside HOME Manchester, Citizens Theatre, and Royal & Derngate—places the tragedy of ‘Othello’ against the backdrop of a high-pressure 1980s landscape. It’s a setting that feels remarkably natural for a play rooted in paranoia, reputation, and intense social tension, and that seamless transition speaks to why Shakespeare’s work remains so relentlessly adaptable across centuries. Shift ‘Othello’ from 16th-century Venice to the visual and political pressure-cooker of the 1980s, and the core human fractures don’t weaken. Almeida: “This ‘Othello’ examines how behaviour, love and identity are shaped under public scrutiny and private pressure. It’s a story as much about intimacy as it is about insecurity – and how one begins to erode the other.” This promises to be a visceral, high-wire exploration of how easily trust collapses into chaos, proving one again that no matter the decade, Shakespeare’s tragedies still hold up an unnervingly clear mirror to who we are. GM
Othello, 11-26 September, Northern Stage, Newcastle, times vary, from £12, northernstage.co.uk
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